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Putting transgression into context within the complex Saudi heavy metal scene
Tekijät: Eckerström, Pasqualina
Kustantaja: Intellect
Julkaisuvuosi: 2024
Lehti: Metal Music Studies
Vuosikerta: 10
Numero: 1
Aloitussivu: 9
Lopetussivu: 26
ISSN: 2052-3998
eISSN: 2052-4005
DOI: https://doi.org/10.1386/mms_00127_1
Julkaisun avoimuus kirjaamishetkellä: Ei avoimesti saatavilla
Julkaisukanavan avoimuus : Osittain avoin julkaisukanava
Verkko-osoite: https://doi.org/10.1386/mms_00127_1
After the 1979 seizure of the Mecca Grand Mosque by local radicals, the Saudi authorities banned entertainment for four decades to appease clerics and to silence artists, including musicians. As a result, heavy metal music in Saudi Arabia has primarily been created and played in secret. Vision 2030 brings entertainment to the public Saudi stage, including metal music, but limitations exist. In most secular countries, extreme heavy metal is no longer seen as transgressive due to shifts in societal norms and freedom of expression, suggesting transgression can be contextual. This study investigates Saudi metal artists’ interpretations of transgression and resistance, considering the social changes in the Saudi Kingdom. Saudi metalheads play a complex role within a genre that is often associated with a transgressive approach to politics and religion. In the midst of a rapidly evolving new paradigm, musicians and fans strive to carve out a place for themselves and their music.