A1 Refereed original research article in a scientific journal
"Prosecutors charge me, police watch after me" -The intertwining of authenticity, crime, and gang life in Finnish 'gangsta rap' music
Authors: Aberg, Erica; Westinen, Elina
Publisher: SAGE PUBLICATIONS LTD
Publishing place: LONDON
Publication year: 2025
Journal: Crime, Media, Culture
Journal name in source: CRIME MEDIA CULTURE
Journal acronym: CRIME MEDIA CULT
Number of pages: 20
ISSN: 1741-6590
eISSN: 1741-6604
DOI: https://doi.org/10.1177/17416590251344489
Web address : https://journals.sagepub.com/doi/10.1177/17416590251344489
Self-archived copy’s web address: https://research.utu.fi/converis/portal/detail/Publication/499111091
This article delves into Finnish 'gangsta rap', from the perspective of authenticity, a key trope in translocal hip hop culture. More specifically, we analyse four Finnish 'gangsta rap' videos and their lyrics by artists who received considerable attention in the Finnish media during 2021-2022. While the media argue that we are facing a new situation of commodified gang violence mediated by 'gangsta rap' - or, to be precise, drill-influenced music, which has been termed as 'gangsta' by the media - our analysis, drawing on previous research in cultural criminology and hip hop studies, suggests that both the music and the criminal activities, as well as the responses to them, are similar to those observed in earlier US and UK research. However, what makes Finland a globally interesting case study in studying gangsta rap and their assumed connection to street gangs is (i) a relatively small number of immigrants and people of colour, (ii) substantial media attention based on official discourse and high trust in the authorities, and (iii) the escalation of gang violence in the neighbouring Sweden and its anticipated trickle-down effect to Finland. We argue that, in exploring the complex interconnections between authenticity, crime and gang life, one needs a 'placed', street literate understanding, the lack of which may arbitrarily stigmatise certain groups of people and certain musical styles.
Downloadable publication This is an electronic reprint of the original article. |
Funding information in the publication:
The author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This work has been supported by Research Council of Finland (decision number: 355607),
for the project “Hiphop Youth in Finland: Conviviality, Ethnicity and Identification” (2023–2027; PI Elina
Westinen).