A1 Refereed original research article in a scientific journal

The Enabling Materialities of the Charcoal Suit: A Study of the Politicizing Capacities of Hanna
Saarikoski’s Performance C





SubtitleA Study of the Politicizing Capacities of Hanna Saarikoski’s Performance C

AuthorsTürkmen, Murat M.

PublisherDet Kgl. Bibliotek/Royal Danish Library

Publication year2024

JournalNordic Theatre Studies

Journal name in sourceNordic Theatre Studies

Volume35

Issue2

First page 23

Last page43

ISSN0904-6380

eISSN2002-3898

DOIhttps://doi.org/10.7146/nts.v35i2.149657

Web address https://doi.org/10.7146/nts.v35i2.149657

Self-archived copy’s web addresshttps://research.utu.fi/converis/portal/detail/Publication/458452107


Abstract

This article focuses on the artist Hanna Saarikoski’s performance C and the charcoal suit 
that becomes a co-performer in this work. The title of the performance, C, is a symbol for the 
chemical element carbon, which relates to 1) the main material of the suit, carbonized willow 
branches, and 2) the human ecological impact on the planet, often called the “carbon footprint”. 
In this performance, Saarikoski walked through the heart of the city of Turku wearing a bulky 
black suit, laden with more than one thousand charcoal sticks. I argue that performance C 
addresses the human-induced environmental emergency by sensually politicizing it and that the 
charcoal suit actively contributes to this politicizing process by generating sounds, interacting 
with the surroundings, and thus enabling surprising encounters. In this article, approaching the 
topic from the perspectives of new materialism, political performance art, and costume studies, 
I will analyze the ways in which the charcoal suit works as a co-performer and thus contributes 
to politicizing the human impact on the environment.


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Funding information in the publication
This research has received funding from the Jenni and Antti Wihuri Foundation.


Last updated on 2025-27-01 at 20:02