A1 Vertaisarvioitu alkuperäisartikkeli tieteellisessä lehdessä
Uncertain Signifiers: 'An Affective Fantasy' in Jacopo Pontormo's Joseph in Egypt
Tekijät: Kuusamo Altti
Kustantaja: ESTONIAN SOCIETY ART HISTORIANS
Kustannuspaikka: Tallinna
Julkaisuvuosi: 2019
Journal: Kunstiteaduslikke Uurimusi
Tietokannassa oleva lehden nimi: KUNSTITEADUSLIKKE UURIMUSI
Lehden akronyymi: KUNSTITEADUS UURIMUS
Vuosikerta: 28
Numero: 1/2
Aloitussivu: 7
Lopetussivu: 25
Sivujen määrä: 19
ISSN: 1406-2860
eISSN: 1406-2860
Verkko-osoite: https://search.proquest.com/docview/2254483002/fulltextPDF/D7139E1D7BC4F82PQ/3?accountid=14774
Rinnakkaistallenteen osoite: https://research.utu.fi/converis/portal/detail/Publication/41798401
In spite of its renown, Jacopo Pontormo's (1494-1556/57) painting Joseph in Egypt (ca. 1518) still calls for deeper art historical consideration. The painting does not open its reservoirs of meaning very easily, and art historians have left many interesting questions untouched in the old and in more recent research literature. In a way, it is surprising that this picture, with its bellezza dell'invenzione ('the beauty of inventions', as defined by Giorgio Vasari), 1 has not received much attention for decades, especially when we take into account the development of methods and tools in art history over the last thirty years. As such, many questions are open for discussion, even when we think about normal art historical research and leave semiotic analysis untouched. I am going to apply some methods of semiotics in order to illuminate this old but still vital object of study.
Ladattava julkaisu This is an electronic reprint of the original article. |  |
