A4 Refereed article in a conference publication
Exploring Disciplinary Boundaries between Ethnomusicology and Cultural Musicology through My Own Ph.D. Research Project
Authors: Jelena Gligorijevic
Editors: Himberg T, Vuoskoski J, Eerola T
Publication year: 2012
Journal: Annual Symposium for Music Scholars in Finland
Book title : Proceedings of the 16th Annual Symposium for Music Scholars in Finland
First page : 1
Last page: 6
Web address : URN:NBN:fi:jyu-201203201453
Abstract
The present paper seeks to establish the distinction (if there is any) between contemporary ethnomusicology
and cultural musicology by using my own Ph.D. research project as a case study.
One way to approach this task is to assess the extent to which the very topic and objectives of my
Ph.D. project, as well as at the theories and methodologies used, correspond to the current
tendencies in the two fields of studies. The aim of such a survey is twofold: one is to open a debate
on the (im)possibility of drawing clear disciplinary boundaries, and the other is to try and position
my Ph.D. research along disciplinary lines.
The present paper seeks to establish the distinction (if there is any) between contemporary ethnomusicology and cultural musicology by using my own Ph.D. research project as a case study. One way to approach this task is to assess the extent to which the very topic and objectives of my Ph.D. project, as well as the theories and methodologies used, correspond to the current tendencies in the two fields of studies. The aim of such a survey is twofold: one is to open a debate on the (im)possibility of drawing clear disciplinary boundaries, and the other is to try and position my Ph.D. research along disciplinary lines.
The present paper seeks to establish the distinction (if there is any) between contemporary ethnomusicology
and cultural musicology by using my own Ph.D. research project as a case study.
One way to approach this task is to assess the extent to which the very topic and objectives of my
Ph.D. project, as well as at the theories and methodologies used, correspond to the current
tendencies in the two fields of studies. The aim of such a survey is twofold: one is to open a debate
on the (im)possibility of drawing clear disciplinary boundaries, and the other is to try and position
my Ph.D. research along disciplinary lines.
The present paper seeks to establish the distinction (if there is any) between contemporary ethnomusicology and cultural musicology by using my own Ph.D. research project as a case study. One way to approach this task is to assess the extent to which the very topic and objectives of my Ph.D. project, as well as the theories and methodologies used, correspond to the current tendencies in the two fields of studies. The aim of such a survey is twofold: one is to open a debate on the (im)possibility of drawing clear disciplinary boundaries, and the other is to try and position my Ph.D. research along disciplinary lines.
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