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Impossible objectivity: free indirect perspectives in Finnish documentary cinema
Tekijät: Hongisto Ilona
Kustantaja: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Julkaisuvuosi: 2016
Journal: Studies in Documentary Film
Tietokannassa oleva lehden nimi: STUDIES IN DOCUMENTARY FILM
Lehden akronyymi: STUD DOC FILM
Vuosikerta: 10
Numero: 2
Aloitussivu: 198
Lopetussivu: 211
Sivujen määrä: 14
ISSN: 1750-3280
DOI: https://doi.org/10.1080/17503280.2016.1221672
Verkko-osoite: https://doi.org/10.1080/17503280.2016.1221672
Tiivistelmä
This article argues that contemporary Finnish documentary cinema departs from the paradigm of authentic representations and instead builds on impossible objectivity. In so doing, the documentary films discussed in the article engage with a free indirect modality of expression and foreground multiplicity. This article suggests that this could open up a new way of understanding the work of documentary cinema: instead of authentic representations documentary cinema could be approached as a modality that expresses and experiments with the underpinning layers of customary perspectives and habitual speaking positions.
This article argues that contemporary Finnish documentary cinema departs from the paradigm of authentic representations and instead builds on impossible objectivity. In so doing, the documentary films discussed in the article engage with a free indirect modality of expression and foreground multiplicity. This article suggests that this could open up a new way of understanding the work of documentary cinema: instead of authentic representations documentary cinema could be approached as a modality that expresses and experiments with the underpinning layers of customary perspectives and habitual speaking positions.
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