A1 Refereed original research article in a scientific journal

Copyright and digital fashion designers: the democratization of authorship?




AuthorsHärkönen Heidi, Särmäkari Natalia

PublisherOxford University Press

Publication year2023

JournalJournal of Intellectual Property Law and Practice

Journal acronymJIPLP

Volume18

Issue1

First page 42

Last page57

eISSN1747-1540

DOIhttps://doi.org/10.1093/jiplp/jpac115

Web address https://academic.oup.com/jiplp/article/18/1/42/6974661

Self-archived copy’s web addresshttps://research.utu.fi/converis/portal/detail/Publication/178917500


Abstract

‘Digital fashion’ has been widely recognized by the fashion media and increasingly embraced by companies and institutions. This article gives a multidisciplinary perspective on copyright protection of digital fashion designs. It places particular focus on the concepts of ‘authorship’ and ‘originality’.

Authorship conventions of the traditional, physical fashion industry differ significantly from those of copyright law. In fashion, generally, authorship is hierarchic and includes many ‘gatekeepers’. However, in digital fashion specifically, authorship is more democratic and resembles its legal definition. This democratizes the authorship practices of fashion, bringing the concept of ‘author’ in fashion closer to the legal meaning of authorship. Moreover, certain practices of digital fashion designers suggest that it might be easier for digital fashion to comply with European Union copyright law.

The digital leap that the fashion industry is taking deserves to be recognized from an IP law perspective. The diverging meanings of authorship between law and fashion must be inspected to avoid various legal risks related to the ownership of fashion designs.


Downloadable publication

This is an electronic reprint of the original article.
This reprint may differ from the original in pagination and typographic detail. Please cite the original version.





Last updated on 2024-26-11 at 23:53