Chenru Xue
PhD Candidate
chenru.c.xue@utu.fi ORCID-tunniste: https://orcid.org/0000-0003-3947-1443 |
Visual Culture; Landscape Studies; Digital Media Studies; Cultural Geography
The Dynamics of Space, Place and Landscape: Understanding the Arctic Landscape from a Lacanian Perspective
Chenru Xue is a visual culture scholar and PhD researcher in Landscape Studies at the University of Turku, Finland. Her interdisciplinary academic background spans visual culture (M.A., Lund University), digital media arts and journalism (B.A., Communication University of China), and her research focuses on how landscapes are shaped and understood through visual representation, discourse, and embodied experience.
Her doctoral dissertation, The Dynamics of Space, Place and Landscape: Understanding the Arctic Landscape from a Lacanian Perspective, offers a groundbreaking synthesis of visual culture theory, cultural geography, and Lacanian psychoanalysis. It explores how Arctic landscapes are constructed and contested across various media — documentaries, photography, national parks, and video games — arguing for a redefinition of landscape as a dynamic interplay between representation and the unrepresentable Real. Through the triadic lens of the Symbolic, the Imaginary, and the Real, she examines how ideologies, subjectivities, and power structures converge to shape the meaning and experience of Arctic spaces.
Chenru has published peer-reviewed articles in Tahiti, WiderScreen, and edited volumes by Edward Elgar Publishing, and she has presented her work at leading conferences such as the European Association for Chinese Studies and the Nordic Challenges Conference. Outside academia, she brings extensive experience in digital media production, including work for the Venice Biennale and international influencer content. Her creative work has also been recognized internationally, with her short film Empery of Frigidity screened at the Cannes Film Festival and nominated in four categories at the Milan International Film Festival.
Chenru Xue's research interests lie at the intersection of visual culture, spatial theory, and media representation, with a particular focus on how ideological and affective forces shape the perception of landscapes. She is especially drawn to the Arctic as a contested site where geopolitical narratives, cultural imaginaries, and environmental discourses converge. Her work interrogates how visual technologies from documentary film to digital games mediate the experience of space and contribute to the symbolic construction of place.
Informed by psychoanalytic theory and critical geography, she explores the tensions between representational and non-representational understandings of landscape, emphasizing the importance of absence, loss, and the unspeakable in shaping spatial meaning. Her interdisciplinary approach is attentive to both the semiotic structures of imagery and the lived, sensory encounters that often escape formal representation. She is also interested in how cross-cultural perspectives, particularly from East Asia, reinterpret established visual conventions in depicting nature and territory.
Through her research, Chenru investigates the ways power, identity, and memory are encoded in landscape narratives—especially those produced in transnational, postcolonial, and ecocritical contexts.
Eastern art; Chinese paintings; landscape and visual culture in digital era
- (2024)
- Tahiti
(A1 Vertaisarvioitu alkuperäisartikkeli tieteellisessä lehdessä ) - Reconstructing Arctic as Gamescape: Historical Authenticity in Arctico and Never Alone (2024)
- WiderScreen
(A1 Vertaisarvioitu alkuperäisartikkeli tieteellisessä lehdessä ) - (2023) Understanding Marine Changes: Environmental Knowledge and Methods of Research Xue Chenru
(A3 Vertaisarvioitu kirjan tai muun kokoomateoksen osa) - (2019) Chenru Xue
(B1 Vertaisarvioimaton kirjoitus tieteellisessä lehdessä ) - Violence is the Coldest Product of Nature: Terje Abusdal and the Forest Finns (2019) Chenru Xue
(E1 Yleistajuinen artikkeli lehdessä) - (2018) Xue Chenru
(G2 Pro gradu, diplomityö, YAMK-opinnäytetyö) - (2017)
- Yishu Ke-ji
(B1 Vertaisarvioimaton kirjoitus tieteellisessä lehdessä )