Identifying the Impact of Game Music both Within and Beyond Gameplay




Tuuri Kai, Koskela Oskari, Vahlo Jukka, Tissari Heli

Jannicke Baalsrud Hauge, Jorge C. S. Cardoso, Licínio Roque, Pedro A. Gonzalez-Calero

International Conference on Entertainment Computing

Cham

2021

International Conference on Entertainment Computing

Entertainment Computing – ICEC 2021: 20th IFIP TC 14 International Conference, ICEC 2021, Coimbra, Portugal, November 2–5, 2021, Proceedings

Lecture Notes in Computer Science

13056

411

418

978-3-030-89393-4

978-3-030-89394-1

0302-9743

DOIhttps://doi.org/10.1007/978-3-030-89394-1_33



This paper presents an overview of and a brief critical reflection on game music’s impact on players both within and beyond the context of gameplay. The analysis is based both on the current literature as well as on preliminary (work-in-progress) observations of our research project Game Music Everyday Memories. We consider how the functions and uses of game music potentially extend to people’s everyday life, thus constituting a personally and culturally meaningful relationship with music that is not immediately connected to gameplay. On the other hand, we consider the ways game music and a person’s attachment to the music are involved in gameplay motivation and potential game retention. As a conceptual thematization, four approaches for identifying the broader musical impact of games are suggested and discussed. To substantiate the discussion, we combine some preliminary observations from two different datasets gathered within the ongoing project: (D1) personal narratives of fond game music memories (N = 183), and (D2) survey-data on favourite game music (N = 785)



Last updated on 2024-26-11 at 21:38