This research note explores an iconic female fraudster, who achieved celebrity criminal status with a substantial fanbase, by analyzing her status as an empowering female figure and the sociocultural context in contemporary Japan. In due course, we attempt to fill the notable research gap regarding the phenomenon of a female fraudster becoming a “celebrity criminal” from a post-feminist perspective. By analyzing online and interview materials, this article demonstrates that the highlighted otherness in Young’s “transgressive other” (Young 2007, 2011) is hardly applicable. We shed light on instrumentalized femininity shared among young women challenging the pre-existing normative femininity in contemporary Japan.