A1 Refereed original research article in a scientific journal
Beyond Anarchism: Marinetti's Futurist (anti-)Utopia of Individualism and 'Artocracy'
Authors: Harmanmaa M
Publisher: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Publication year: 2009
Journal: European Legacy
Journal name in source: EUROPEAN LEGACY-TOWARD NEW PARADIGMS
Journal acronym: EUR LEG
Volume: 14
Issue: 7
First page : 857
Last page: 871
Number of pages: 15
ISSN: 1084-8770
DOI: https://doi.org/10.1080/10848770903363938(external)
Abstract
This article surveys Filippo Tommaso Marinetti's social utopia from the inception of Futurism until its end during World War II, contextualizing it in relation to the various diffused anarchistic ideologies of European artists and intellectuals. From the second half of the nineteenth century onward radical politics and the artistic avant-garde were in close dialogue. Max Stirner's individual anarchy held a special appeal to modernist artists, including Gabriele D'Annunzio and Marinetti. Marinetti's aim of renovating Italy's cultural and political life initially led him to glorify the destruction of old institutions. At the end of World War I he developed a more or less coherent utopian vision of a new society, based principally on the exaltation of individual freedom and the importance of art. During the Fascist regime, Marinetti abandoned politics and concentrated his efforts on making the Aerofuturism of the interwar years the official art of Fascism, which the Futurists saw as the fulfillment of their "anarchist'' dream.
This article surveys Filippo Tommaso Marinetti's social utopia from the inception of Futurism until its end during World War II, contextualizing it in relation to the various diffused anarchistic ideologies of European artists and intellectuals. From the second half of the nineteenth century onward radical politics and the artistic avant-garde were in close dialogue. Max Stirner's individual anarchy held a special appeal to modernist artists, including Gabriele D'Annunzio and Marinetti. Marinetti's aim of renovating Italy's cultural and political life initially led him to glorify the destruction of old institutions. At the end of World War I he developed a more or less coherent utopian vision of a new society, based principally on the exaltation of individual freedom and the importance of art. During the Fascist regime, Marinetti abandoned politics and concentrated his efforts on making the Aerofuturism of the interwar years the official art of Fascism, which the Futurists saw as the fulfillment of their "anarchist'' dream.
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