This chapter investigates medieval Sweden and its iconography of justice. The Swedish lay judges (noblemen, burghers and peasants) were without university education, and especially the commoners had few opportunities of seeing images of justice on artefacts or in secular buildings. Yet, the ecclesiastical imagery in churches was seen and understood by all, thanks to the Church's teaching. Based on surveys of justice-related iconography in medieval Swedish and Finnish (then part of Sweden) churches, the chapter argues that the scope of these motifs was very limited. Images of the Last Judgment and Saint Michael weighing souls predominate, while some churches had murals with Moses receiving the Tables of the Law, Solomon's justice, or truth-or justice-related Biblical verses in Latin. No images of Lady Justice (as one of the cardinal virtues) or other justice-related representations came up. Even only a fraction of the Finnish churches had a Last Judgment or Saint Michael to adorn them. However, these two images together, with images of devils tempting people to sin and perdition, were visualisations that had practical meaning in the Swedish legal culture. The practices of justice and judging were popular and daily reiterated, making each sworn oath a step towards either heaven or hell.