During the 1970s and 1980s, American and British films, and spy films in particular, situated in Moscow and Leningrad were regularly shot in the Finnish capital of Helsinki, since the film crews could not work inside the Soviet Union. This article addresses the creation of a ‘Soviet feel’ through the use of Helsinki locations in films such as Gorky Park (Apted, 1983) and Telefon (Siegel, 1977) in the geopolitical context of the Cold War and Finland’s location as both a hub for international espionage and something of a border zone between the eastern and western power blocs. This analysis is connected to a broader consideration of Cold War geography, cinematic cities as body doubles and the ‘agentiality’ of urban spaces in film.